INSTA 360 ONE R:
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So far, 360 images are not the game changers but the companies push to make it stand out and bring a revolutionary change in the industry and bring new people to their product line up.
Insta 360is a brand in the name itself there is a showcase of 360 technology cameras and is trying to revolutionise the future of the action camera but now with the help of the modular design of the camera Insta 360 is back and heading to the future.
More recently all the cams started to offer higher framerates and very good image stabilization – 4K at 60 frames per second, FullHD at 240 fps and a good colour science – perfect for outdoor sports like skiing and mountain biking!
Now there is, of course, the issue with traditional action cams that you decide for a specific framing of your shot while mounting the cam in a certain position. If you want to cut your footage you need at least two of these cams providing a different point of views.
With 360° cameras, this game changes …
360° Image Acquisition
The beauty of shooting footage with a 360° cam is the fact that you choose your framing in post. Need the forward-facing shot? Fine. Sideways? Rear-facing? Up? Down? You get the point…
This may sound super obvious but was not on my radar so far, and I can also speak for many of my friends at least.
Combine that with good image stabilization and you have a very small “acquire it all” device once you hit the record button.
Meet the Insta360 One R Twin Edition
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I will concentrate on using this modular camera system while skiing and on the mountain bike. It took a while to get this review out but I really wanted to use this camera for an extended period of time (2 months) to get acquainted with all aspects including the various tools for post-production.
First things first, I have to applaud Insta360 for coming up with such an innovative, modular design. The Twin Edition basically consists of a dual-lens 360° camera module, a 4K wide-angle action cam module and a recorder unit with a little LCD screen that can be mounted forward or rearward facing. Plus the battery (the red part in the image above).
Build Quality of the Insta360 One R Twin Edition
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All the parts feel very well made, the build quality is solid and it showed – I accidentally crashed the camera two times into rocky ground (firstly because a mount broke at full speed over rugged terrain on my mountain bike, and secondly I crashed as a whole … have a look at the video). Surprisingly the dual-lens module didn’t show scratches. Well done Insta!
One little thing needs a mention though, the SD card and USB C slot are protected by a little door on the right side – see picture below. This door is very fiddly to close, you’re never sure if it is locked into position and thus there is a risk that you lose it – which happened to me. A while later luckily I happened to find it again.
Image Quality of the Insta360 One R Twin Edition
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Now coming from the action cam world with 4K image acquisition the big question was about image quality and stabilization. The 360° dual leans module only allows a 1920×1080 capture in post from a 360° 5.7K acquisition at up to 30fps.
Well, in my personal opinion 1920×1080 is more than enough for moving/action shots. Only in a static landscape shot, you will see a difference to 4K. And for this scenario, you have the 4K wide-angle camera module.
Audio quality is very bad, unfortunately. Even without any movement or wind, the quality is subpar, and once you start to have wind the audio is gone. That’s why there is almost no audio in the footage.
I shot the skiing scenes with firmware 1.0.12, the mountain bike scenes 3 weeks later with firmware version 1.0.20 and at the time of writing version 1.0.24 is out (a nightmare for any camera reviewer ;-)). However, from version 1.0.12 to 1.0.20 the stitching issues did not improve.
A big part of the image quality of any cam is the codec. The Insta360 One R offers H265 codecs for both the 360° dual-lens module and the 4K wide-angle module, on their homepage the specs for the SD card are listing a UHS-I V30 card. BUT be aware that a UHS-I V30 SDHC card will not record in H265 using the 4K wide-angle module! You have to use an SDXC card to enable H265 recording.
Battery Life is exactly the same for both cams – approx. 51 minutes of recorded footage. However, both cams stop after exactly 30mins (the usual limit to avoid tax) and restarting the recording both cams overheated soon after: the GoPro after 34minutes, the Insta360 One R after 36 minutes.
Postproduction: Using the Insta360 Standalone Software & the PremierePro Plugin
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Insta360 offers four very useful postproduction tools which simplify the workflow dealing with the 360° footage:
- the Insta360 One R camera control app – allows controlling the camera via BlueTooth
- the Insta360 Studio standalone software
- a PremierePro Plugin which allows importing the shots directly from the SD Card
- the GoPro FX Reframe plugin for PremierePro
The app is very useful offering a lot of features – camera control, firmware download, etc … The list is long!
I started to edit the 360 footage immediately in PremierePro 2020 with the Insta plugin and GoPro FX reframe, which are super useful tools for camera movements, zooming in and out, removing a bit of the fisheye look, and so on …
Summary
There is a lot to like about the Insta360 One R Twin Edition, and very little to dislike – I am really fascinated by the new possibilities offered by the 360° camera capture! And, I think your traditional action cam is a thing of the past very soon.
Today there are still issues with stitching and 360 cams do not offer higher framerates (yet). But as soon as those items are addressed, those cameras will become my main action cam devices
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